Anti-Flag’s new release ‘American Spring’ is their ninth studio album and their first release on Spinefarm Records. The songs are an aggressive critique of the global, social and political climate of 2015. The entire ‘American Spring’ package includes essays, personal liner notes and further information behind the driving forces of each song, detailing ways for us all to take action against injustice in the world.
Opening track ‘Fabled World’ ‘sets the tone of the album both stylistically and in message. Lyrics such as “We live in a fabled world…a corporate killing world” highlight the strong socio-political views of this band who are sticking to what punk was designed for – to promote a message and to rally support.
By far the stand out track of the release is ‘Sky is Falling’, an anthem with a nice little solo, some echoed guitar, clean vocals and some really catchy hooks to sing along to. It is also blessed by an appearance by Ian D’Sa from Billy Talent with his instantly recognisable tone, adding volumes to an already stellar track.
The album artwork is fantastic, with the front showing a women in a hijab and an American soldier on the reverse in combat gear, their faces covered by an exploding pink flower. “It is meant to challenge our collective view of violence and peace” say the band. It draws obvious parallels to the Arab spring where Muslims throughout the Middle East rose up against dictatorial rule and abuses faced by their people. This album is Anti-Flag’s shout to people to stand up against the atrocities carried out by armed forces and governments in countries all over the world.
‘Brandenburg Gate’ is an ode to those lost at war “I lost my baby to a foreign war”, with the references continuing throughout the song. Indeed the song name comes from the huge gate commissioned by Frederick William II of Prussia in Germany and built as a sign of peace. It later had to be restored after being partially destroyed in World War 2. It is a hugely significant part of history in relation to war and peace and deeply embodies the concepts portrayed throughout ‘American Spring’. Anti-Flag are also joined on this song by Rancid’s Tim Armstrong adding some weight to the already phenomenal cameo appearances on this record.
‘Without End’ has another big gun cameo in the shape of Tom Morello from Rage Against the Machine, instantly recognisable from his staccato style guitar, echoes and distinctive licks which intersperse the usual sound of Anti-Flag, a nice juxtaposition without changing the overall style and tone of the album.
Anti-Flag say of the album, “It has been frustrating to see so much punk rock music and music in general quiet in the face of atrocities that are taking place around the world”. This record is not quiet. If you are disillusioned with the status quo, these songs are for you. The ‘American Spring’ is now.
DAVE BULL