Larkhill (formally Grayscale) have been circulating the underground punk scene since 2013. In a time when bands are easily lost due to the sheer number of peers with similar influences, it is exciting when a band like Larkhill can completely win over a crowd and convince of their worth with refreshingly pure and genuine passion. ‘Larkhill’, the latest, self-titled EP from the band, acts as a showcase of their growth over the past couple of years, demonstrating creative song writing and crisp production techniques. With every listen of this record, one can hear new intricacies which means that multiple plays are vital. The only downside of the EP is that the recording doesn’t quite encapsulate the intensity of emotion that the band emits live, it does however give it one hell of a go.
When producer Bob Cooper is involved in a record, anyone involved in this scene is continually aware of his catalogue of beautifully produced records. This self-titled EP is no exception, mixed and balanced brilliantly. Although this perfection is welcomed at times, the lack of passionate rawness comes as an unfortunate side-effect.
Larkhill’s influences, including Basement, The Smith Street Band and Brand New, amongst others, are demonstrable throughout, although the band manages to pull together a consistently individualistic sound. The EP’s highlight is ultimately the guitars, which draw both emo and melodic hardcore vibes. The lead guitar in particular is creative and flowing, without showing off or deviating from the overall feel of each song. This comes across brilliantly in Larkhill’s live performance, meaning the recent departure of lead guitarist Tom Regan is particularly unfortunate. The guitar tones achieved in recording are flawless and the vocals of frontman and guitarist Miz Trujillo are gritty, creating a tone well matched to that of the guitars. The vocals also create the necessary emo feel of sadness, nostalgia and angst very well indeed.
The standout track of the EP is ‘Post Teen Rebelliousness’ which contains heartfelt and relatable lyrics for anyone entering their early 20s. The singing guitars mirror the frustration and anger heard in the vocals. It’s very easy to listen and then hit repeat almost instantly after the end of the track.
This band will continue to go from strength to strength, cementing their well-deserved place in the emotional-punk scene.
ALEX HALL