Already heavily established in the Australian charts and with an American release back in late 2011, the UK release of ‘What Are You So Scared Of?’ – the debut album by Sydney based Tonight Alive – aims to broaden their appeal across the globe. Those interested in the female fronted pop-punk presented by the band will have undoubtedly been exposed to the record since its floatation around the internet and international radio stations, meaning the aim of the October release has shifted from appealing to those fans to a more mainstream approach. In order to satisfy this target, ‘What Are You So Scared Of?’ needs to pack one hell of a punch.
Similarly to peers such as You Me At Six or the unavoidably comparable Paramore, Tonight Alive skim along the very edge of pop-punk. Although there are clear nods to heavier genres, particularly in opener-of-sorts ‘Breaking and Entering’, the majority of ‘What Are You So Scared Of?’ reduces the punk in favour of a more radio friendly approach. Tracks such as ‘Safe and Sound’ and ‘Let It Land’ rely on addictive melodic hooks but feel safe and inoffensive.
On ‘Fake It’ Tonight Alive opt for a darker and more despondent demeanour, resulting in a heavier sound than the remainder of the record. Although the track moves closer to the likes of more recent Paramore albums there are fortunate moments where the riffs are cranked up and the conventional pop-punk formula takes the forefront; ‘Thank You and Good Night’ featuring the arguable king of the genre, Mark Hoppus (Blink-182) / ‘Reason To Sing’ complete with distinct sing-a-long moments. These breaks from the customary pop-rock structures prove vital in limiting the comparisons to contemporary female fronted rock groups, an accolade that the band can proudly wear around their shoulders.
At its core ‘What Are You So Scared Of?’ is not a pop record, a punk record nor a straightforward rock release. The subtle changes across the record help to keep it sounding fresh despite its unusually lengthy running time. The debut LP is packed full of catchy hooks and melodies that impart an abundance of unadulterated enjoyment. The record may be unobtrusive yet it defies the audience not to pay attention. ‘What Are You So Scared Of’ is unlikely to draw in audiences from outside of the genre but will certainly create a wave in the pop-punk community
BEN TIPPLE