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From Thursday 14 August 2014

Foxing and Modern Baseball cover Pedro The Lion for Space Jam Sessions

Triple Crown Records’ Foxing recently came together with Run For Cover Records’ Modern Baseball to record an acoustic version of ‘Options’ by Pedro The Lion for Space Jam Sessions. It was recorded in Philadelphia whilst on their most recent tour with The Hotelier. You can check out the video below.

Wednesday 13 August 2014

Frnkiero And The Cellabration Stream New Single ‘.joyriding.’

  Spellcheck bothering frnkiero and the cellabration is streaming new single ‘.joyriding.’ from their forthcoming album ‘Stomachaches’ which is due for release on August 25th via Hassle Records. You can check out the video below and if you like what you hear you can pre-order the My Chemical Romance

Solemn Sun announce UK headline tour for November

Solemn Sun, who recently dropped the Jim Lockey And The part of their name as well as completely changing their sound, have announced a UK headline tour for November. You can catch them at the following dates: NOVEMBER 07: LEEDS Cockpit 08: GLASGOW King Tuts 10: NOTTINGHAM Bodega 11: BIRMINGHAM Sunflower Lounge 13: LONDON

Thursday 07 August 2014

222 release video for ‘Tie It Off’

Post-hardcore father and son duo 222, made up of Matt McIntosh (Hatebreed/Deathkiller/The Eventide) and his son, drummer James McIntosh, have released a video for their track ‘Tie It Off’ from their 2013 LP ‘Religious Symbols’. They are currently working on a new album and are aiming for an

Tuesday 05 August 2014

Bracket – ‘Hold Your Applause’

‘Hold Your Applause’ marks the return of Bracket and is the first album in eight years from the ex-Fat Wreck Chords signings. Self recorded, mixed, and released, it was preceded and financed by a series of digital releases. Unfortunately it gets off to a weak start; opening song ‘Not

Wednesday 30 July 2014

’68 – ‘In Humor And Sadness’

From his time fronting Norma Jean to ten years as vocalist of The Chariot, Josh Scogin’s career has, until recently, trodden a fairly similar path. With his latest endeavour ’68, Scogin has largely stepped away from what he knows. Superfluous elements such as multiple band members, expensive production, and